Works of sound could be heard by telephone, such as talks and readings on the theme of communication by artists and writers from Japan and abroad.
Excerpted from “ICC Concept Book,” NTT Publishing, 1997
VOICE & SOUND Channel
March 15–29, 1991
Outline
Date: March 15–29, 1991
Location: Inside the telephone network in Tokyo and Kanagawa, Chiba, Saitama, Ibaraki, Tochigi, Gumma, and Yamanashi prefectures
Works
VOICE & SOUND Collection
Japanese Songs [1991]
From Sentimental Journey to Winter’s Journey [1991]
ONE OF THE WHALE’S QUESTIONS [1991]
Architecture as the Other [1991]
The Memory of the Photography [1991]
Golden Windows [1991]
Einstein Rakugo (Fallen Story) [1991]
Niemandsspiel [1991]
Communications in Oral Societies [1991]
FROM HARDWARE/WAR TO SOFTWARE/WAR [1991]
AMERICAN HAIKUS [1991]
Too Long an Answering Machine Message [1991]
MELTDOWN [1991]
Music for Telephone [1991]
Hanging around (Improvisation) [1991]
Let’s make the time [1991]
What Time is it now on the Moon [1991]
Invisible, Tokyo NUDE [1991]
Wars of the Roses/Edward II [1991]
1997 The Border [1991]
BERLIN & CHERNOBYL, HI RISQUE [1991]
SPEED FREAKS [1991]
SOUND DRUG [1991]
Excerpts from FEU LA CENDRE [1987/91]
NAKAGAMI Kenji Sings MIYAKO Harumi [1991]
Gulliver et Roberte (The Grain of the Voice) [1991]
Excerpts from Fourteen Deviation to the Challenge [1991]
Working with The Popular Forces [1968]
COMMUNICATION RIBBON [1991]
Anti Communication [1991]
Excerpts from Dialogue de l’omble double [1982–85]
You’re My VENTRILOQUIST [1991]
What time is it now? Resounded [1991]
A Poor Talker in Sweden [1990]
CM for Mr. Clean [1991]
The Archeology of the Telephone [1991]
RECONSTITUTION DE CHANSONS QUI ONT ÉTÉ CHANTÉES À CHRISTIAN BOLTANSKI ENTRE 1944 ET 1946 [1971]
Communication(s) [1991]
UNCONDITIONAL COMMUNICATION [1991]
MoshiMoshi-san/Mr. Hello [1991]
On the Gulf Crisis and Discommunication [1991]
Yesterday afternoon [1991]
SPANKING [1991]
FRAGMENTS/TENTACLES [1991]
Daily Review
TV Game MUSEUM Journal [1991]
Telephone Information: Private Talks [1991]
Introduction to the Museum of the Future [1991]
Neo-Electronic Futurism/Product Design Reviews [1991]
The Image that can say NO [1991]
Osugi’s Movie Information [1991]
Abstraction and Composition [1991]
The Telephone Line is the Life Line [1991]
Cross Review/Literature and Sports [1991]
Artists
- AMEYA Norimizu
- ARAKI Nobuyoshi
- Laurie ANDERSON
- ISOZAKI Arata
- Javier VALLHONRAT
- Robert WILSON
- KANEKO Tsutomu
- KAYAMA Rika
- KAWADA Junzou
- Ingo GÜNTHER
- Allen GINSBERG
- KUROSAWA Kiyoshi
- John CAGE
- KONDOU Kouji
- SAKATA Akira
- SAKAMOTO Ryuichi
- SATOU Fumitaka
- SHINOYAMA Kishin
- Derek JARMAN
- Shu Kei
- John GIORNO
- John ZORN
- TAKEMURA Mitsuhiro
- Jacques DERRIDA
- NAKAGAMI Kenji
- NIBUYA Takashi
- NODAIRA Ichiro
- William S. BURROUGHS
- Allen BANK
- Renzo PIANO
- Pierre BOULEZ
- William FORSYTHE
- FUJIEDA Mamoru
- Pontus HULTEN
- FURUHASHI Teiji
- HOSOKAWA Shuhei
- Christian BOLTANSKI
- Jackson MAC LOW
- Judith MALINA
- YAMAGUCHI Suguru
- YAMAGUCHI Masao
- Steve REICH
- Arto LINDSAY and Peter SCHERER
- Rick RUSSO and Bronwyn RUCKER
- ISHIHARA Tsunekazu
- ITO Seiko
- ITO Toshiharu
- KASHIWAGI Hiroshi
- SUGIURA Takaaki
- FUJIEDA Teruo
- MASUYAMA Hiroshi
- WATANABE Naomi