ICC





Preface
Admission
Works 1
Works 2
On Haishi - Mirage City Project




The History of the Project
Discourse on Utopia presented at Any Conference
Conceptual Panel
On the Exhibition: (ICC Gallery)




1. Prototype
2. Signatures
3. Visitors
4. Internet
Participation in the Exhibition through the Web Pages
Participation Artist's
Catalog

April 19th to July 13th, 1997 [Finished] Gallery A





Questionnaires


Please e-mail or fax your responses to the questionnaires and your opinions and proposals to us. Make sure to include the number (1 to 8) of the questionnaire to which you are referring. [Finished]

e-mail address: utopia@ntticc.or.jp
FAX : +81-3-5353-0929

You can open the related pages by clicking on them.

 


#1: (related page :The History of Haishi-The Mirage City Project)

In its physical essence, Haishi the Mirage City Project proposes the construction of an artificial island to house facilities for international exchange: cultural, academic, business and convention centers, and hotels and residences. What associations come to mind when you consider the word "island"? For instance, Venice, the "floating city," has been our point of reference until this stage of Haishi's development. And "island" has long been related to the idea of Utopia. Why "island"? Please let us know your thoughts.

 


#2: (related page ::The Geology of the Site

Movements to assemble the regions and peoples in Asia are finally gaining momentum, as they have in Europe. Haishi is strategically located at the heart of the Asian communities. We are planning convention facilities at the center of the island in the prospect that representatives from Asian nations will gather together in Haishi. Please discuss this project from a global viewpoint.

 


#3: (related page ::The Plan proposed at the Venice Architectural Biennial

In the plan, Prototype, the central area is dedicated to convention facilities, cultural and academic activities, and business, while the surrounding areas that expand toward the ocean are reserved for mixed-use development including residential, commercial and business. This general zoning is provisional and can be rearranged. We would like to know your opinions and proposals concerning transformations to the plan, i.e., adding new facilities, making partial changes, replacements, transferences, enlargements, contractions, and so on. If possible, download the white plan, draw your transformations on it, and send a concrete proposal back to us.

 


#4: (related page : The Plan of the Artificial Island)

Living and working sectors on the island are intermixed. All types of facilitiesハвesidences, laboratories, offices, and storesハ?re arranged in relatively low-rise, courtyard-style buildings. The ring-structured complexes are randomly placed, and the vital pipelinesハвoads, canals, electricity, gas, tap water, and communication wiresハжeave through them. Fossil-fuel powered cars are shut out at the gates of the island to be exchanged for boats, electric cars, bicycles, and walking. Please let us know your thoughts on how things should be organized on the island. Download the white plan, draw your plan on top, and return it to us. The opinions and proposals we receive will be publicized at the Forum and simultaneously translated into architectural language and incorporated into the "Internet" model.

 


#5: (related page :Internet)

Please let us know your opinions concerning Utopian cities, the concept and method of inter-ness, the "planning" of a city without a master plan, the planning process in which Anyone participates, and Utopia as an open system. We hope that discussions on Utopia will be activated in the wider contexts of politics, economics, and culture, beyond the level of physical planning.

 


#6: (related page :Left panel of the diptych, "Six Songs for the Venice Biennial")

On the left panel we see the Utopian island of Sir Thomas Moore scaled in proportion to Venice, the geomancy of feng-shui represented by nin-mai (the dragon vein), and the total plan of Haishi superimposed upon both schemes. It expresses the idea that a revolution of human intercourse in the broad sense, including the information network, requires the reconstruction of architecture and urbanism. In what aspects do you think that the radical advances in the information and communication systems affect the physical transformation of architecture?

 


#7: (related page :Right panel of the diptych, "Six Songs for the Venice Biennial")

The right panel describes the process through which new architectural types are produced as a result of transformations from traditional Chinese structures such as ke-jia (a circular housing complex for farmers), si-he-yuan (Beijing-style traditional urban housing), tian-tan (towers to worship heaven), and zi-jin-cheng (the Forbidden City). We would like to ask for your suggestions for procedures or algorithms to spark the transformations, and a drawing of the architectural type you created using your transformational method.

 


#8: (related page: A Photograph of the model)

Traditionally, the planning of the infrastructureハвoads, energy supply lines, communication networks and so onハ?as always preceded that of architectural types that are built on top. Here, however, the hierarchy is reversed. The design of architectural types and their arrangement precedes that of infrastructural networks, which, rather, weave through the architecture and grow spontaneously. In real cities, the life cycle of the infrastructure is often shorter than that of the architectural types. We would like your opinion concerning the rapport between infrastructure and architectural types from the viewpoint of planning.