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Toward a Mausoleum of Perception: MIKAMI Seiko’s Interactive Art Installations

December 13, 2025–March 8, 2026

Outline

Advance reservations are recommended to visit this exhibition.

Online reservation


2025 marks the tenth anniversary of the passing of MIKAMI Seiko, who had presented works in a variety of forms since the ICC’s pre-activity phase prior to its opening. In 2025, the ICC will feature multiple exhibits of interactive art installations from the late 1990s onward to look back on MIKAMI’s activities from a media art perspective. This will be the first opportunity either inside or outside Japan for three of her large-scale installation works to be displayed at the same time.

The interactive art installations that artist MIKAMI Seiko presented in Japan and overseas since the 1990s feature as their theme the very act of perception as the starting point from which humans connect with and form relationships with the world. MIKAMI wrote: “the eye is not merely a thing that sees and the ear is not merely a thing that hears; it is possible for the ear to see, for the nose to hear, and for the eye to touch.”*1 Reflecting this, she made full use of media technology to present through multiple works experiences that compelled those who viewed the works to confront their own mechanisms of perception and interaction. Her aim was the creation of a “museum of perception (or even mausoleum)”*2 as a collective of those works.

However, following MIKAMI’s sudden passing in 2015, there has been momentum in recent years for a reevaluation of her in the field of contemporary art as well, as evidenced by the addition of four of her works from the early 1990s to the collection of The Museum of Contemporary Art Tokyo. At the same time, opportunities to re-exhibit MIKAMI’s interactive works are limited due to their large scale and the complex installation processes they require.

In this exhibition, multiple interactive art installations that MIKAMI presented from the late 1990s onward will be on display. Along with the works, information on their evolution through a series of updates, restoration and archiving endeavors that are currently in progress, and examples of the utilization of archive data on the works will be introduced, among other information.

*1, *2: from MIKAMI Seiko et al., Molecular Informatics–Morphogenic Substance via Eye Tracking (Seiko Mikami) / LTM (Low-Tech Music) (Oscar Abril Ascaso), (Centro de Ediciones de la Diputación de Málaga (CEDMA), 2004)


Date: December 13, 2025–March 8, 2026
Venue: NTT InterCommunication Center [ICC] Gallery A, B
Hours: 11:00am–6:00pm (Admission until 30 minutes before closing)
Closed: Mondays (If Monday is a holiday, then Tuesday), The year-end and New Year Holidays (December 29 to January 5), Maintenance day (February 8)
Admission Fee: Adults 1,000 (900) Yen, University students 800 (700) Yen
* Rates shown in parentheses are for groups of more than 14 persons.

* During the exhibition, you can be admitted twice per ticket. On the second admission, please show your ticket that you purchased for the first admission at the reception.
* Admission free: Disabled persons (proof-required) and their attendants, Persons 65 years and older, High school students and younger and “Grutto Pass 2025” holders.
* Reservation is recommended.

Online reservation is available from 7days before the visit day.
Online reservation
external link

Organizer: NTT InterCommunication Center [ICC] (NTT EAST, Inc.)
Cooperation: Tama Art University Art Archives Center


Trailer


Works

Current Exhibition

ICC Collection


 

Works in the Admission Free Area

Artists

MIKAMI Seiko

MIKAMI Seiko (December 2011) / Photo: SHINODA Hidemi

Artist, Professor of Media Art Lab at Tama Art University. Since the 1980s, has been showing large-scale installations themed on information society and the human body. In the 1990s, most of works are interactive media art installations incorporating human perception, eye-tracking project “Molecular Informatics,” about acoustic sense and the living body sound “World, Membrane and the Dismenbered Body,” “gravicells - gravity and resistance” on the theme of the gravity called the 6th consciousness and “Desire of Codes” focused in coded individual at information society.
Her Art works were shown at Fundacio Joan Miro, Le Musée des Beaux-arts de Nantes, Künstlerhaus Vienna, Kulturhuset Stockholm and Canon ARTLAB. Also shown at the number of international Media Art Festivals such as transmediale (Berlin), DEAF (Rotterdam), SHARE (Turin), Ars Electronica (Linz), MoiMulti (Quebec), TESLA (Berlin), VEROCITY Festival of Digital Culture (UK), TRUST (Dortmund), ISEA and the other. Solo exhibition “Desire of Codes” held at Yamaguchi Center for Art and Media [YCAM], NTT InterCommunication Center [ICC] and from 2012, will travel to around the world. She passed away in 2015.

Related Information

Discount Information

Discount with the exhibition held at Tokyo Opera City Art Gallery
If you show ticket stub of the following exhibition that will be held in the same period at Tokyo Opera City Art Gallery at 3F Tokyo Opera City, we offer discount to admission fee.
Also, you can be admitted at discount if you show ticket stub of the exhibition “Toward a Mausoleum of Perception: MIKAMI Seiko’s Interactive Art Installations.”

“Grutto Pass”
https://www.rekibun.or.jp/en/grutto/

Discount with “MuPon”
https://www.tokyoartbeat.com/en/aboutApp

Chirashi Museum * in Japanese
https://eplus.jp/sf/guide/museum

Discount with “PIA” app * in Japanese
https://lp.p.pia.jp/about/

ICC Discount Coupon
Please print out and bring it with you or present the terminal screen at the reception desk. It is possible to enter the exhibition at a discounted fee.
|→ discount coupon | (PDF)

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