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Feature |
Diagnostics of the 20th Century --" The Century of War" and Art | |
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| 042 |
Who Influenced You Joan FONTCUBERTA/HACHIYA Kazuhiko/ Grahamme WEINBREN/CHIKAMORI Motoshi/ IWAI Toshio/ETO Koichiro/XU Bing | |
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| 056 |
Deterrence and Collaboration- - Janus-faced Art Faces War [Dialogue] TAKI Koji + NAKAZAWA Hideki | |
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| 080 |
The Body as Altar IMAFUKU Ryuta | |
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| 096 |
The Death and Rebirth of the Chronophotograph -Twentieth Century Images and Pictorial Intuition MORIOKA Yoshitomo | |
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| 112 |
Discourse Strategies/Strategic Discourse 1945 -1960 MATSUOKA Shin'ichiro | |
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| 126 |
Information and Art- On the Cyborg Subject MUROI Hisashi | |
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| 132 |
The Intervention of "the Real" - Between the Avant Garde and Kitsch MATSUI Midori | |
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| 140 |
Infrastructure of Expose and Sequence in Museum -Architecture in 20th Century HIKOSAKA Utaka | |
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| 148 |
The Ghost of Art History SUZUKI Mariko | |
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The Epoch of War / Monuments of Art TAKASHIMA Naoyuki | ||
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| 074 |
Processing the Fin de Siécle and Experimenting with New Aesthetics: "Fordism" and "Futurism" | |
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| 077 |
II--1914-1918 1914-1918 World War I: Technology of "Standardization" or Technology of "Art" | |
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| 090 |
III--1919-1929 1919-1929: Interwar Phase 1: Internationalism and "The Principle of the Age" | |
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| 093 |
IV--1930-1938 1930-1938: Interwar Phase 2: Overcoming "Poverty", The Rational and the Irrational | |
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| 106 |
V--1939-1945 World War II: A Sci Fi Future and the Fate of the Artist | |
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| 109 |
VI--1946-1973 1946-1973: Cold War Phase 1: American Experimental Art and Utopia | |
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| 120 |
VII--1974-1989 1974-1989: Cold War Phase 2: Structural Shifts in Industrialized Society and the Postmodern | |
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| 123 |
VIII--1990- 1990- After the Cold War: The Exploitation of "Seeing" and Modern Science | |
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 ICC Special |
004 |
SRL Catharsis - An Interview with Mark PAULINE, Director of SRL Interviwer: NONOMURA Fumihiro Translation: OTA Kayoko |
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 IC Files |
017 |
Technoculture The Economy of Cultural Memory - The Commerce Coefficient of the Archives TAKEMURA Mitsuhiro |
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| 020 |
Science Enigmas of Cambrian Explosion YOSHINAGA Yoshimasa | |
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| 022 |
Game "Quantity" Changing Quality MASUYAMA Hiroshi | |
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| 024 |
Computer End of Y2K ? HATTORI Katsura | |
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| 026 |
Media Net Games in Seoul, The Future of Electronic Toys MIZUKOSHI Shin | |
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| 028 |
Art
The Millennium in Holland ICHIHARA Kentaro | |
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| 030 |
Music Music as a Measure of Time SASAKI Atsushi | |
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| 032 |
Books A Revolutionary's Research TANIGUCHI Susumu | |
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| 034 |
Books Rebuilding Cultural Education for the 21st Century NAGAE Akira | |
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| 036 |
Socio - Landscape The Mobile City TAJIMA Noriyuki | |
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| 038 |
Film The Representation of Violence and the Violence of Representation KITAKOJI Takashi | |
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Special Article |
156 |
Jean-Luc GODARD: The Image Arrives at the Resurrection - On Histoire(s) du cinéma NOZAKI Kan |
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Monograph |
168 |
Why is Cyberspace Called Cyberspace? [epilogue] AZUMA Hiroki |
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ICC Review |
177 |
A Distant Island Glimpsed from a Buoy: What to Expect "From, After" the "Sound Art" Exhibition ITO Ken |
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180 182 186 187 190 |
ICC Report Event Calendar ICC Information Guide for ICC Membership Back Issues | |
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