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Feature |
Telepresence : A Technology Transcending Time and Space | |
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| 018 |
The Future of Virtual Reality and Telepresence HIROSE Michitaka and MINATO Chihiro | |
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| 028 |
The Forefront of Telepresence : Technologies behind the Creation of "Another Reality" UTADA Akihiro | |
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| 046 |
The Designing of an Experience : An Interview with Scott Fisher Interviewer and Coordinator: HATTORI Katsura | |
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| 054 |
Telepresence as a Design Philosophy : An Interview with William Buxton Interviewer: MORIYAMA Kazumichi Translation: YAMADA Kazuko | |
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| 062 |
The Vogue for Angels Advances along a Subversive Path!? KUROSAKI Masao and YAMAUCHI Shiro | |
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| 070 |
IMMEDIATISM Hakim BEY Translation: SHINOGI Naoko | |
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| 074 |
Toward a Kingdom of the Imagination : Telepresence World ITOH Toshiharu | |
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 Research and Creation |
004 |
What is MAKROLAB? Marko PELJHAN Translation and Cordination: SHIKATA Yukiko |
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| 007 |
The Expiration Date of an Artwork ICHIKAWA Taira | |
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| 010 |
Monadic Jaggie NAKAZAWA Hideki | |
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| 013 |
THE BROTHERHOOD / Tables I-VIWoody VASULKA Translation and Cordination: GOGOTA Hisanori | |
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 Column |
080 |
Ambient Bits : WaterLamp and Pinwheels ISHII Hiroshi |
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| 114 |
Defining Earth and Planetary Sciences MARUYAMA Shigenori | |
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| 140 |
The Desire for a Comprehensive Reading UENO Koji | |
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| 150 |
Apoptosis/Necrosis City KOIKE Hisako | |
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| 152 |
Virtues of the Fish-Eye Lens SUZUKI Shiroyasu | |
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Special Article |
116 |
Visiting Dani Karavan The Anxiety of the Border Interviewer and Coordinator: OHTORI Hidenaga |
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| 130 |
Synthesis : Retro Avant-Garde, or the Mapping of Post-Socialism Marina GRZINIC Translation: HINOGI Naoko | |
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| 142 |
Auditory Perception: An Implicit Intelligence that Creates Reality KASHINO Makio | |
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 IC Files |
082 |
Things Fall Apart Gary Hill & Meg Stuart (with Damaged Goods) "Splayed Mind Out"/ Gary Hill: Installations and Videotapes Stephen SARRAZIN |
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| 084 |
Net.Art : A New Genre Matures Ars Electronica 97/ Mr. net.art 98 Volker GRASSMUCK | |
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| 086 |
Dance/Theater and Media Art Collaboration EXIT98 TSUJI Hiroko | |
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| 088 |
Three Japanese Artists Residing in New York Explore the "Interspaces of Modernity" Kubota Shigeko, On Kawara: Whole and Parts 1964－1995, The City as the Art Form of the Next Millennium: ARAKAWA/GINS TAKASHIMA Naoyuki | |
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| 090 |
From Violence to "Biolence" : Violence, Media, Wim Wenders The End of Violence by Wim Wenders Akira MIZUTA LIPPIT | |
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| 092 |
Communication, One Letter at a Time Paul DeMarinis's New Installation The Messenger Fernando BARENBLIT | |
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| 094 |
Ironically, Book-Format Utopia Is Healthy The Mirage City: Another Utopia by Arata Isozaki YOKOYAMA Tadashi | |
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| 096 |
Distribution, Content, and the Digital Economy: The Cultural Economics of the European Info2000 Project TAKEMURA Mitsuhiro | |
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Dialogue |
100 |
We Really Need to Learn More about the Physical World Roger PENROSE and SATO Humitaka |
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| 161 |
The Future of Architecture / The Future of the City ARAKAWA Shusaku and ISOZAKI Arata | |
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Monograph |
154 |
Why is Cyberspace Called Cyberspace? [part 4] :Chapter 1: On the "Space" in Cyberspace [4] AZUMA Hiroki |
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ICC Review |
173 |
A Walk through the ARAKAWA/GINS Exhibition The City as the Art Form of the Next Millennium : ARAKAWA/GINS KISARAGI Koharu |
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| 176 |
Beyond McLuhan Monday Night Seminar in ICC SUEHIRO Nobuyuki | |
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| 178 |
ICC Report
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182 186 187 190 |
Event Calendar ICC Information Guide for ICC Membership Back Issues | |
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bc@nttpub.co.jp |
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