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Feature |
Beauty According to Science | ||
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| 018 |
Ethics and Aesthetics: On Creative Expression MURAKAMI Yoichiro and SAKANE Itsuo | ||
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| 032 |
The Beauty of Models, the Beauty of Objects: Beyond Science and Art
KUBOTA Akihiro The Black-Boxing of Science and Art OKI Keisuke | ||
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| 039 |
Victorian Science Tried to Forge Synaesthesia
An E-mail Interview with Paul DEMARINIS Translation: KAKINUMA Toshie | ||
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| 065 |
Science, Reason and Passion
Ilya PRIGOGINE Translation: MATSUURA Shunsuke | ||
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| 076 |
Aesthetics, Representation and Creativity in Art and Science
Arthur I. MILLER Translation: TAKASHIMA Heigo | ||
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| 083 |
The Intersection of Art and Science
Viewing the Micro-and Macroscopic Cerebral Activities / KATO Fusao, Programming Language and the Interface / KUBOTA Akihiro, Introducing an Introductory Introduction to the Neurophysiological Basis of Musical Euphorigenesis / KATO Fusao, Mathematical Beauty / UENO Kenji, From DNA to Molecular Games / YAMATO Masayuki, Rheoart: Hydrodynamic Sculptures / TAKAKI Ryuji, The Metamorphosis of the Conductor Gregor Samsa / ITO Ken, Ethology: Bodies and Events / HOSOMA Hiromichi, The Octopus: Heart of the Ocean Floor / SEINO Satoquo | ||
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 Research and Creation |
004 |
Orbis Pictus Revised Tjebbe VAN TIJEN and Milos VOJTECHOVSKY Translation: ENDOH Tohru | |
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| 007 |
Light||Breathing
SATOH Tokihiro | ||
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| 010 |
London <=>Tokyo
tomato Translation: ENDOH Tohru | ||
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| 013 |
EARTH JUICE
TOYOSAKI Yoji | ||
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 Monograph |
154 |
For the Nature that Should Be: Social Theory of Science [part 1] Pricing the Nature
MINATO Chihiro | |
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| 161 | Why is Cyberspace Callled Cyberspace? Chapter 1: On the "Space" in Cyberspace [part 1] AZUMA Hiroki | ||
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 Dialogue |
130 |
Does the Information/Consumption Society Have a Future?
MITA Munesuke and HASHIZUME Daisaburo
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 IC Files |
098 |
Interfacing with "Exterior=Space": Chritian MÖller's "Sound Garden" and "Virtual Cage"
GOGOTA Hisanori | |
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| 100 |
Reality Shaken: "Virtual Architecture" Exhibition
UZAWA Takashi | ||
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| 102 |
Forbidden Fruits in the Tenth Year of ARTEC
The 5th International Biennale in Nagoya-ARTEC '97
MOTOYAMA Kiyofumi | ||
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| 105 |
Back to Western Europe: On the International Exhibition in Venice, Kassel and Minster KOMATSUZAKI Takuo | ||
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| 108 |
From Spectacle to Memory Defacement: Metamorphosis of OTOMO Yoshihide
SAWARAGI Noi | ||
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| 111 |
The Cultural Economy of Antigravity:
A Synthesized Society of Perceptual Consumption
TAKEMURA Mitsuhiro | ||
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| 114 |
Art That's Not:
Arakawa / Gins Exhibition in Guggenheim SoHo, N.Y.
F„L„RUSH Translation: MOTOE Kunio | ||
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| 118 |
Can Kurosaki the Philosopher Swim the Sea of Chaos?
OSAWA Masachi | ||
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| 122 |
On the "Virtual House" ASADA Akira | ||
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 Column |
096 |
Tangible Bits [part1]: At the Digital Seashore: The Boundaries between Bodies, Bits, and Atoms SHII Hiroshi | |
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| 128 |
Putting the Stethoscope to the Network
IKEDA Hiroyuki | ||
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| 152 |
Technology as Desiring Device
SEINO Eiichi | ||
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| 166 |
Travels in China's Western Provinces: From the Kunlun Southern Route
MURAOKA Saburo | ||
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| Special Article | 141 | Towards the Age of the Internet Library UTADA Akihiro / Between the Live and the Archive OWADA Tatsuo / A Self-Destructing Digital Library MORIOKA Yoshitomo | |
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ICC Review |
168 |
Media as Play Space: The Trace of Toshio Iwai's Media Art-Open Studio
NISHIMURA Tomohiro | |
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| 170 |
Severing the Links in Another Utopia: " The Mirage City-Another Utopia " IIJIMA Yoichi | ||
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| 173 |
The Future of InterCommunication Art: ICC Collection KURABAYASHI Yasushi | ||
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176 180 184 187 |
ICC Report Event Calendar ICC Information Guide for ICC Membership Back Issues | ||
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query@ntticc.or.jp |
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