この世紀末,際限なく拡張された身体機能を獲得したメガロポリスの住人は,もはやメディアという神経網からなるインヴィジブルスーツ無しには生き残れない.加速度的に進化を迫られ不可逆的に相対化される身体.それは個人レベルで社会レベルで,文字通りヒューマンスケールの意味を無化し続ける.そこでは個人は,リアルタイムの生産-消費ライン上の様々なデータに過ぎない.主格不在のまま繰り広げられる,未来永劫終わりの無い進歩史というナイト-メア.
We are teetering on the brink of the next millennia awash in a wave of utopian innovation which is reconfiguring the very means of our communication. It is here amongst the thousands of newsgroups and webmasters, providers and users that we find ourselves peering through the immaterial-into cyberspace. There flowing through the ether of the networks is "Crossings", the poetic intersection of media (technology) and content (perceptual experience) that moves beyond travel logs and terrestrial territory in search of the gravitational pull of new sublime landscapes.
"Crossings" is an artwork crafted from the software tool set called Polytrim developed at the Centre for Landscape Research of the University of Toronto. This project was first realized as part of the artist in residence program at ZKM in Karlsruhe. "Crossings" is a work in progress and continues to be developed to achieve a compelling dynamic immersive landscape where the terrain is shaped from information structures and links to the information space of the WWW.
"Crossings" is an evolutionary step that extends painting beyond cinema, weaving the desire for the merging of content and information to the artistic potential of a real time interactive virtual environment. While the computational world has mechanized nature into a transcribable and mechanical format, "Crossings" has focused on the history of landscape painting as the embodiment of human experience and emotion. By expressing the metaphoric power of landscape in a virtual environment as a non-hierarchical dynamic space " Crossings" reasserts that art is not merely transcriptive in the sense of conveying information, but is also a transformative process. When one is navigating the immersive environment of "Crossings", the traditional distinction between reality and virtuality disappears and the artificial dualism of information and sensation is eliminated. This happens through the interactive unfolding of a personal narrative that occurs when one navigates the live links to the WWW that occupy the formal pictorial space .
1986年に開始したこのプロジェクトは,
特性の和紙を世界各地の地中に埋め込み,
長期間おいた後に掘り出すという試みであり,
紙は地質や気象条件によって様々な変化を見せる.
現在,アジア,アフリカ,ヨーロッパ,アメリカなど世界11カ所で進行中.
下の2つは,付着した微生物を電子顕微鏡で数千倍に拡大し,
フィルムに写し撮って作品化したものである.
photo: Shigeo Muto