The optical and visual system formalized in the "camera obscura", perceiving light as both consistent and static, has been dominant not only art and architecture, but throughout society since the Renaissance. In this session, we will discuss expressions which are an the extension of, yet potentially deviating from, the "camera obscura" model, or, put another way, new senses which cannot be captured with that model, and the potential expressions and systems to recalibrate the world, and space and time, interactively.

Panelists: OKADA Atsushi (History of Art and Aesthetics/ Professor of the Graduate School of Human and Environmental Studies, Kyoto University), alien productions, Ingo GÜNTHER, Mischa KUBALL
Moderator: SHIKATA Yukiko (ICC Senior Curator)