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Preface |
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Bruce Yonemoto, born in San Jose,
USA in 1949, is a third-generation American of Japanese descent, currently
residing in Los Angeles. As "Bruce and Norman Yonemoto,"
he and his older brother Norman have been working collaboratively
since the late 1970s, showing works which employ media such as video
and film, and have been continuously active on the West Coast, mainly
Los Angeles.
In their works which incorporate archival film footage of concentration
camps where Japanese Americans were held during the war, or those
which show the lives of the Nipo-Brasilero community, Bruce and Norman
manifest their unique viewpoint and concerns as Americans of Japanese
parentage. The Yonemotos are highly recognized today as video installation
artists representing the West Coast art scene, not only for these
works, but also for the span of their creative activity as seen in
collaborations with their contemporaries such as Mike Kelley and John
Baldessari.
BRUCE YONEMOTO: Disappearance of Memory at the NTT InterCommunication
Center [ICC] will present film installation works made solo by Bruce
especially for this occasion, which take up themes such as "life,"
"death," and "time."
Films are apparatus which serve as reservoir for information in the
form of various images; in a sense, they are a certain kind of memory.
In this exhibition, we attempt to think about films as memories, and
further, about various problems which arise from them, by exploring
films which have been made with long-used techniques such as claymation
and time-lapse, and installation works using such films.
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