Preface Admission Works "Film before Film" "Pioneers of Interactive Czech Films (50s-60s)" "Variable Montage" "Web-Cinema Program:An Historical Anthology of Web Cinema Shorts 1997-2002" "17 Internet Projects" "Horror Chase" "Tracing the Decay of Fiction: Encounters with a Film by Pat O'NEILL" "z2 [zuse strip]" "Instant Places" "BE ME" "One-Person Touchscreen Cinema Showing 14 Interactive Movies" "Le Petit Manuel Interactif" "So. So. So. Somebody, Somewhere, Some Time" "MetaPlex" "Church on Fifth Avenue" "Illuminated Average #1 Hitchcock's Psycho" "Motion and Rest #1" "Motion and Rest #5" "Field-Work@Alsace" "Language Willing" "Pedestrian" "Miss World" "CONSOLATION SERVICE" "Mission to Earth - Soft Cinema edition" "SweetStalking" "Defile" "The Panoptic Society or Immortally in Love with Death" "Anarchive 2: Digital Snow" "UNMOVIE" Participating Artists Gallery Map 2F Gallery Map 4F Gallery Map 5F Related Events Symposium "Aesthetics of Media —— through Action and Theory" Lecture "Past Projections: Media Archaeological Perspectives on Cinematic Futures" Symposium "Projection of Sense —— Aspects of Cinematic Imaginary"
		December 12 (Friday), 2003 - February 29 (Sunday), 2004 Gallery A, B
		Works "z2 [zuse strip]" 2002 Caspar STRACKE Z2 [zuse strip] is named after Konrad Zuse's second model, made in a series of the first digital computers. It used discarded 35mm movie film from the German UFA as a medium to read and write eight-bit binary code data with a hole-punch system. The work addresses our ability to preserve cultural artifacts. Obsolescence is the repressed remains of innovation, and since the information of the past is encoded in defunct systems, how will it be possible to preserve the past?