Alexandria Museum of Art
- Artist/Author/Producer: Thomas C. Waters and Susanna Dent
- Confronting Bodies: former State Rep. Dale Smith and Alexandria City Council
- Dates of action: September 1992
- Location: Alexandria, Louisiana
- Description of the Art Work
- Waters' artwork entitled "Ron, 1992" shows the blurry image of a male nude
cropped just below the pubic area and Dent's "Fuck me, Fuck you," a 10 by
10 inch drawing of a skull, several blue circles and three postage
stamp-size cut-outs, including one of a naked female's buttocks.
- Description of incident
- A photograph by Thomas C. Waters became embroiled in a censorship battle
when displayed at The Alexandria Museum of Art's annual September
Competition. Entries were judged and selected by University of Arizona
Art Museum Director Marilyn Zeitlin. The show ran from September 26 to
November 28, 1992.
Former state Rep. Dale Smith began the controversy by asking the museum
to remove New York Artist Susanna Dent's "Fuck me, Fuck you." In a story
about objections to the piece, Raymond L Daye, staff reporter for the
Alexandria Daily Town Talk, reported that Smith's was the only complaint
from the approximately 550 who had attended the show at that time.
The reporter also noted that another piece by Water's, incorrectly
described as "a full-length photograph of a nude male showing pubic hair
and part of the penis," had attracted no complaints from anyone,
including Smith. Daye's inaccurate description had the effect of
focusing the controversy on Waters' work as well.
After the publicity, the Alexandria City Council sent museum officials a
letter expressing concern over the display of both pieces. Although city
funding had not been used to fund this exhibit, the City Council stopped
short of threatening to withdraw its annual $10,000 grant to the museum.
Councilmen indicated that they might want to re-evaluate the city's
contribution in light of the controversy.
- Results of incident
- In a special session, the museum's Board of Trustees voted to keep the
two works on display. They stated that their removal would constitute
censorship of a professional art juror's choices, endanger the museum's
accredited status, and expose the museum to litigation by the artist for
violation of entrance representation. They promised to re-examine the
museum's mission and guidelines for future competitions, and determine if
it would continue to sponsor national competitions for contemporary art.
Source:Thomas C. Waters
Record no 17