ICC





Preface
Admission
Works




"Perfectly Strange"
In search of the undefined - Olivier RENEAU
Participation Artist's

April 18 (Friday) - May 31 (Saturday), 1997 [Finished] Opera City Tower First Floor , (ICC) 4th Floor lobby





Works


"Perfectly Strange"









"Perfectly Strange" is a project consisting of two instant photo booths whic h are installed at geographically distant places and connected by internet. As in a regular photo booth the use takes his picture having the reflection of his own image in front of him. But instead of his own identity portrait h e receives, a few moments later, the portrait of a stranger, who himself had his picture taken in the other booth. The identity photograph is digitally s aved at the moment of the taking of the picture and sent on to the other boo th, where it is printed out to the user.
The booths are easily taken apart to adopt the shape of "flight cases" which transport the material. The project is therefore extremely flexible and mobi le and may travel to be installed at various places. The project will be ina ugurated on April 8, 1997 and will connect Tokyo with Paris. After several w eeks, the cases will be sent on to their following locations.

The main concept of the project is to confront one's identity to that of a s tranger's. Usual photo booths supply portraits for identity cards. These ima ges are in some way the stereotype of identity representation in modern soci ety. They don't only resemble but actually function as the official identity of their owner. The interactive photo booths of "Perfectly Strange" hands ou t the identity of someone who is completely unknown to the user. It is not a previous user of the same machine, Iiving in the same area. It is the identi ty photograph of someone from very far away whom one is sure to never meet i n reality. One's identity is replaced by that of the stereotype of a strange r. It is printed out and transmitted to the one who just gave his portrait a way. In each location, the participant will walk away with the image of a st ranger.
Another element is the notion of mobility and travel. Each booth transforms itself in to its transportation case. The handles and locks of the flight ca se are still visible when the photo booth is installed and ready for use. Sh ipment-stickers will carry the addresses of destinations and expediters, the visible proof of different journeys. The two photo-booth-cases are nomadic a nd rootless, while providing virtual exchange to their users who are confron ted with the strange and the unknown in their own usual surroundings.